Showing posts with label Sporting Wear. Show all posts
Showing posts with label Sporting Wear. Show all posts

Monday, November 27, 2017

The Fastest Dress in the West!


My mom joined us up in Calico last month, and since we thought it would be fun to all go 1880's, I needed a second dress. And fast. Aside from the time constraint, I needed the dress to fit another person. Luckily, my mom is about my size, just a little shorter. 

The easiest thing that popped into my head was a tennis dress! The blouse wouldn't need close fitting, and the skirt length could be made short enough for her, but still work at that length, for me. 

I was greatly inspired by this tennis dress, at the LACMA. Because of time, I didn't try to draft anything. I just went into my pattern stash and pulled out some Truly Victorian patterns.

Wednesday, October 4, 2017

A 1940's Bathing Suit


I have always thought 1940's swim suits are just the cutest! I finally used a trip to the beach as an excuse to make one. 

I vacillated over what fabric to use, as the 40's are out of my regular purview. I looked into stretchy blends. I looked into rayons. I looked into wools... And by the time I spent all this time hemming and hawing over fabrics, it was going to be too late to order anything in time. So, I settled on some cute checked linen I'd had in the stash for ages. Time to use it! 

Friday, January 30, 2015

Slowly but surely, a sweater is appearing.


Slowly, slowly, as I find time to fit in some knitting, the 1900's cycling sweater is coming along! Can you believe that huge piece is the sleeve? Holy mutton! I just started on the second one. So, I'm nearly there.

Just keep ribbing, just keep ribbing...

Friday, August 29, 2014

And so it begins.


Here's to knitting my little fingers off. Cheers! Oh, but those sleeves are just so fabulous and worth it.

And, in other news... The Robe de Madras. One of my favorite fashion plates. Such a crazy, loud, bonkers fabric. I totally love it. A totally different direction than the LWD. Toquet a Pointes in the near future. And snazzy little polkadot bag, too, I'm sure.


Details (and better pics) to come. Have a wonderful holiday weekend, all!

Friday, August 22, 2014

HSF #15: The Great Outdoors

For this challenge I knocked an 18th century habit shirt off my to-do list. Yay!


The Challenge: #15, The Great Outdoors

Fabric: Handkerchief weight linen

Pattern: Kannik's Korner men's shirt 1750-1800, modified for a ladies' shirt, using information from Cunnington's "History of Underclothes."

Year: Later 18th century

Notions: 60/2 linen thread, 16/2 linen thread for buttons, cotton tape for waistband.

How historically accurate is it? As close as possible.

Hours to complete: Took about four days, sewing in the afternoons and evenings.

First worn: Not yet!

Total cost: The linen cost $22/yd, but I'm not sure how much I ended up using. Maybe a yard or so.
...


The shirt was very simple, if time consuming, to make. Tiny stitches! The instructions on the Kannick's Korner pattern were very helpful. I also referenced the man's shirt in "Costume Close Up." I will probably add ruffles to the shirt when I decide on what particular habit to make. 

Shirt construction is so interesting! With all the little reinforcements and gussets. Very fun to put together.



I chose thread buttons for the collar so they would be soft under the cravat. Next up, a cravat, I guess.



I thread a tape through a channel on the back hem, putting eyelets in the ends of the channel.


I love a good button hole :)


I'm really jazzed about my sleeve links! I copied Georgian examples with bits from the jewelry section and some "paste" buttons. There's currently some on eBay that inspired me. I don't know, for sure, if ladies wore sleeve links with habit shirts, but I know they wore them on shift's sleeves and I know habit shirts were basically like men's shirts, so I figured why not!



The sleeve links were so easy to make. I'll be keeping an eye out for good buttons from now on. Oh the possibilities! 

Thursday, May 8, 2014

A Look at Some Vintage Jodhpurs

Today I would like to share a pair of vintage jodhpurs. I'm not entirely sure of their date. Could be anywhere from the 20's to the 50's. Likely, they are somewhere in the middle. It's unlikely that they are more recent than that, because as stretch fabrics came in to play, they eliminated the need for those roomy hips, which allowed the rider ease of movement. Those roomy hips are the jodhpur pant's most recognizable trait.

When I was little, I called them "director pants." Just throwing that out there :)

In short, jodhpur pants start in India and trickle on down to western sportswear and uniforms. They are primarily riding pants, but are seen worn as general sportswear through the early 20th century. Much like the riding habits of the 18th century, which weren't necessarily worn only for riding. Jodhs also are seen in uniforms. Aviators, motorcycle police, Dudley Do-Right, directors...

For a really detailed look at their history, check out this great article by V is for Vintage. It's full of lots of awesome pictures, too.

My pants, however, I do believe were actual riding pants. The seams are felled, and the crotch has an interesting patch that covers where the seams cross, which would make them more comfortable when in the saddle. They are also made of whipcord, a durable twill weave often seen in vintage equestrian clothing.

So, on to the pants...

Thursday, February 6, 2014

HSF #2: Innovation. The side saddle safety apron.

In beginning to ride side saddle, a whole new world of tack and appointments has been opened to me. Prior to this, not much thought went in to what a lady wore when riding aside, except that it was a skirt.

The ladies riding habit started with a skirt, when ladies would basically wear just clothes to ride, as opposed to a riding "outfit," or habit. I think we can thank those proper and fashionable Victorians for evolving an outfit worn when riding, to a designated riding outfit. 

A lady out riding in her redingote. Fashionable clothing for riding,
but not only worn for riding. Pretty much cut the same as every other dress.

As the century progressed, the riding habit began to look
more and more like what one might think of when "riding habit"
is mentioned.

Sisi of Austria, who was an avid hunter.

Sisi, again. When off the horse, there's a
lot of fabric to keep track of.

In the later part of the century, the shaped riding skirt came into fashion, allowing space for the right knee and a level hem when mounted. No more were skirts billowing around everywhere, hanging at all different lengths, but this meant that on the ground, the skirt hung absurdly long in the front. Here we start to see the skirt being buttoned up to walk.

An 1875 riding habit from the Met.

So, the knee pocket, and way of buttoning the skirt up when walking become the fashion toward the end of the century. The riding skirts begin to lose fabric, as fashions progress, and the more tailored look of the riding habit is seen. A good pattern for this style is Truly Victorian's riding habit skirt pattern, which illustrates the knee pocket nicely.

Two ladies in riding clothes, circa 1880.

Ah, but there was still a problem. A nasty one.

In the event of a fall, a lady could easily get tangled up in the saddle and be dragged and injured, or worse. So, around the turn of the century, the riding safety apron comes about. It is basically an apron that covers your legs when mounted, and wraps around your exposed lower limbs when on the ground. 

The snap fastener also plays into this. Not only is there less fabric to be tangled, but often the aprons were fastened with snaps. In the event of a fall, where the fabric got stuck on the saddle, the skirt would come apart and the rider would be free. And to save her the added embarrassment of walking the field in her drawers, the rider would wear matching breeches under the skirt. And a side note, this is the same reason why western shirts started having those pearl snaps.

Below are a few pictures from Alice M. Hayes' book, The Horsewoman (1903).

The apron, when mounted, looks like a skirt.

From behind, it's just an apron.

And wrapped up, it both covers the legs and
keeps the skirt from dragging.

The riding apron is still worn today, when a lady rides aside. It is both traditional and safe. The style changed a bit over the first part of the century, losing and gaining fabric, and the hem changed with fashion. The "golden age" of hunting side saddle ended with the second World War, and it's style has changed very little since then. 

For HSF: Innovation, I chose to recreate a safety apron. It's all done, save for the buttons, which I haven't decided on yet. Horn or fabric? Hmm… It does close with snaps, so it is basically finished, as all but one button is just cosmetic. I chose navy wool, as navy or black is the appropriate choice for a formal habit. The wool is a medium weight plain weave, which is what I had, so I chose it. Same for the contrasting lining - I had it. Ideally, a habit would be made of a sturdier wool, like whipcord, cavalry twill or melton, which would stand up to the rigors of hunting. As I live in Las Vegas, and I'm not hunting the English countryside (bucket list!!), I'm thinking this is just fine. Maybe I need a Raj era linen habit for summer here… Hmm…

As for the pattern, I browsed many. I even scaled up some 1912 patterns. I had a modern, Suitability apron pattern on hand that I went with. It got a bit of a bad rap with reviews, with users claiming too many darts and too much fabric, but I found it fit me well, with little alterations. I didn't really follow the directions, which is so me, but I don't have any complaints yet, though there were a heck of a lot of darts! Well, and I chose snaps instead of velcro.

The Challenge: Innovation

Fabric: Navy wool lined with checked cotton

Pattern: Suitability's riding apron pattern

Year: Eh, anywhere from 1900 to present. Wide range, I know. The bodice/jacket worn with it would really determine the year.

Notions: Snap fasteners

How historically accurate is it? Oo this question always gets me. I tried to be as true to when these came about, in the early 20th century, as possible. But without a lot of experience wearing these aprons, I went very basic.

Hours to complete: I didn't keep track. Took a few good days, though I did hand sew the whole thing. Not to be snazzy, or anything. Just that I traveled with it and hand sewing is much more portable.

First worn: Not yet. Off to the barn!

Total cost: Less than $5 for the fasteners. Everything else was stash.

And here are some pictures. It is a bizarre arrangement of fabric, until it's on a horse.




From the front, fastened up.

From behind.

And this is why it buttons up...
From the near side, or left side, one would see this.
Like my fake knee chair? It makes more sense like this.

From the offside, you see this.
The flap at the bottom fastens around the right leg,
keeping everything in place. Some aprons replace this
with an elastic loop.

I have accumulated many, many more examples of these aprons, as well as other side saddle bits and habits, over on a Pinterest board. Check it out!

And just for kicks…



Sunday, April 28, 2013

Gibson (Cow)girl


Howdy!

With all the horseback riding I have been doing lately, I've been quite inspired with the old west. I was browsing good ol' Pinterest recently and came across a bunch of great old cowgirl photos. I totally fell in love with the late Victorian/early Edwardian ones. Think Annie Oakley. Very stylized cowgirl. Very cool. 

Annie Oakley

There was a Southern Nevada Living History Association event at the Old Mormon Fort yesterday and I took the opportunity to finish up my riding bloomers (skort, pretty much...) and get down there to take some good photos. What an appropriate backdrop! I owe photo credits to the talented Lisa Coffey.



This was a really fun and easy outfit to put together. I went for like 1905ish. The pants are a Truly Victorian pattern, that (for once) I didn't change the design of. It went together beautifully, though I did deviate from the instructions and I fully lined it (flatlined) and faced the hem, much like you would a skirt of the era. My only issue, which was not bothersome enough to change, was that the crotch seam ran a little snug. It's not tight, but for a pant so loose around the legs, I assumed it would be a little roomier in the seat.

The button holes are all fully functioning and hand sewn. It is made of twill wool left over from my brown 1880's dress. It is lined with cotton. I chose the "bicycle length" as opposed to the "riding length." I wanted to show a little leg. Wink wink ;)


The rest of the outfit was all acquired previously, but not made by me. The blouse and corset cover (scroll down) are antique and of the era. The boots are Oak Tree (super comfy!) and the spurs are my actual riding spurs. I found the gloves at a western store. The hat is a felt blank from Jas Townsend. I accessorized with a little enamel antique pin, at the neck, and my pocket watch and chain. A gal's gotta know what time it is on the prairie!

Legs!!

Spring! Fig trees blossoming. So pretty:)

Below you can see a pic of the corset cover. It's a little rumply, as this pic was from when I got undressed. You can see how the cut of the corset cover creates a pouf to support the pouter pigeon shape of the blouse. The cotton is a little stiff, which helps hold the shape as well. I read once, that girls would stuff hankies down the front to support the shape even more. Kind of like stuffing your bra... except it's stuffing your stomach... Hmm...


And because it's always fun to have a black and white one...


Hope everyone is having a good weekend! Cheers!

Wednesday, February 15, 2012

Calisthenics for Ladies and Turn of the Century Gym Clothes

From Cassell's Household Guide
via Victorian London.

From Cassell's Household Guide, Volume One:

"THE word "calisthenics" is derived from the Greek, "kalos," beautiful; and "sthenos," strength; the object of calisthenic exercises being to secure physical beauty by developing the limbs and muscles of the human frame, and making the joints flexible, thereby giving strength and power, and ensuring a graceful carriage, erect bearing, and freedom to the figure...  


It is a very usual plan in America and France, where the subject has been carefully studied, to wear a special costume, consisting of a loose blouse, with a sash at the waist, and Turkish trousers; or in place of the blouse, a Garibaldi bodice and skirt; dark blue serge with white or scarlet braid, or unglazed holland with the same sort of trimming, are most in favour, being both strong and light. Grey and red is another favourite mixture. The boots should be an easy fit, with low heels. Our illustration (Fig. 1) will show that such a dress, while ensuring perfect ease and liberty of action to the wearer, is by no means unbecoming."


Browse the rest of the chapter on calisthenics. Fascinating!






California, 1912.
Holding a weighted exercise stick.
The Vintage Traveler.

Circa 1865-70.
Missing the overskirt.
The Vintage Traveler.

Cotton, c.1910.
The Vintage Traveler.

From My Ear Trumpet Has Been
Struck by Lighting
(lol)

From the Victorian Picture Library.


Can you imagine what they would have thought of kick boxing and ladies in MMA?! Smelling salts please!