Showing posts with label HSF. Show all posts
Showing posts with label HSF. Show all posts

Sunday, January 31, 2016

HSF #1: Procrastination


I'm quite happy I finally quit procrastinating and got working on my new Edwardian Undies. I first bought the pattern and intended on beginning it two years ago! It's about time I got around to starting them. And finishing them.

Ah, but if I had a nickel for every time I did that...


The Challenge: #1, Procrastination

Material: Cotton Batiste

Pattern: Truly Victorian TVE02

Year: About 1903

Notions: Lace, china buttons, silk ribbon.

How historically accurate is it? The materials are correct, though after starting the project, I questioned using a zig zag stitch on the insertion, as I didn't see instructions for insertion like that in my antique sewing manuals. After looking into it, as far as I can tell, the zig zag stitch was invented in the late 19th century, but was only used in industrial sewing until the late 1940's. But I had gone too far to switch the stitching... Ah well, with each project I learn more to be better next time!

Hours to complete: About a week of sewing in the afternoons.

First worn: Not yet!

Total cost: I didn't count. I had pretty much everything in my stash. Just ordered some extra insertion and ribbon after running out. 

Friday, February 6, 2015

Costume de Bal


I was lucky enough to get tickets again this year for Pasadena's Jane Austen Evening. It really is a lovely event. A nice mix of people. Dancers and costumers and those that do both. I was lucky enough to finally meet some ladies I have only met online, and also see some fantastic costumes. I must say, I think the most gorgeous outfit was an 1820's ensemble. Perfect hair, perfect dress. I wish I had thought to take a picture!

But isn't that just what happens when you're having fun? I totally forget about the camera. I wish I had gotten some better pictures of myself, too, but here is what I have. 

Thursday, December 25, 2014

HSF #23: Modern History. A pair of 1930's trousers.


The Challenge: #23, Modern History

Fabric: Lightweight wool suiting in a green Glen plaid

Pattern: Wearing History's Smooth Sailing Trousers

Year: 1930's

Notions: Thread, buttons

How historically accurate is it? Good, I guess.

Hours to complete: The prep took an afternoon, and the sewing another afternoon. Very quick.

First worn: Last weekend, for a Christmas party

Total cost: I think I got the wool on sale for about $7/yd. And it took about 3 yards, I think.

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Well first off, Merry Christmas to all! I hope everyone has been having a lovely holiday season.

Over here it's been pretty busy, but I still found a couple afternoons to whip up a new pair of 1930's trousers. I so love the Wearing History pattern! It goes together so nicely and quickly and just makes a really good looking pair of pants.

For this pair, I used some lightweight plaid wool. I deviated from the pattern by adding a lapped, side closure with buttons instead of a zip. Next pair, I want to add some pockets!  



And they're comfy enough for playing with the pups, too!




Friday, August 22, 2014

HSF #15: The Great Outdoors

For this challenge I knocked an 18th century habit shirt off my to-do list. Yay!


The Challenge: #15, The Great Outdoors

Fabric: Handkerchief weight linen

Pattern: Kannik's Korner men's shirt 1750-1800, modified for a ladies' shirt, using information from Cunnington's "History of Underclothes."

Year: Later 18th century

Notions: 60/2 linen thread, 16/2 linen thread for buttons, cotton tape for waistband.

How historically accurate is it? As close as possible.

Hours to complete: Took about four days, sewing in the afternoons and evenings.

First worn: Not yet!

Total cost: The linen cost $22/yd, but I'm not sure how much I ended up using. Maybe a yard or so.
...


The shirt was very simple, if time consuming, to make. Tiny stitches! The instructions on the Kannick's Korner pattern were very helpful. I also referenced the man's shirt in "Costume Close Up." I will probably add ruffles to the shirt when I decide on what particular habit to make. 

Shirt construction is so interesting! With all the little reinforcements and gussets. Very fun to put together.



I chose thread buttons for the collar so they would be soft under the cravat. Next up, a cravat, I guess.



I thread a tape through a channel on the back hem, putting eyelets in the ends of the channel.


I love a good button hole :)


I'm really jazzed about my sleeve links! I copied Georgian examples with bits from the jewelry section and some "paste" buttons. There's currently some on eBay that inspired me. I don't know, for sure, if ladies wore sleeve links with habit shirts, but I know they wore them on shift's sleeves and I know habit shirts were basically like men's shirts, so I figured why not!



The sleeve links were so easy to make. I'll be keeping an eye out for good buttons from now on. Oh the possibilities! 

Wednesday, August 13, 2014

All wrapped up! HSF #14: Paisley and Plaid

Cheesy, yes, but I couldn't resist :)

So, the busy summer is winding down and now I'm back on the Fortnightly bandwagon. Yay!

The Challenge: #14, Paisley and Plaid

Fabric: Reproduction print cotton, cotton for lining and apron sides, and embroidered cotton for apron.

Pattern: Laughing Moon Mercantile, for the wrapper.

Year: Mid 19th century

Notions: Cotton tape for inner waistband, buttons, string for piping.

How historically accurate is it? Pretty good. I don't think I did anything glaringly modern. The apron probably would have been hand embroidered and not purchased embroidered. And I think the buttons are plastic.

Hours to complete: I didn't keep track. Started it last year and put it aside until last week.

First worn: Not yet!

Total cost: I bought everything last year so I'm going to claim stash. But in all honesty, I think the embroidered fabric was a pretty penny...

...

I really liked the top half of this pattern. The shoulders and neckline and everything were great. I wasn't so thrilled with the skirt. I felt like it didn't have enough fabric to lay gracefully over the hoop. Unfortunately, I didn't check this before hand, and found out after I had already gauged the skirt to the back and assembled the front to it. I just didn't have it in me to take it apart to add more fabric. Plus, I don't think I even had enough fabric.


When not belted in, it really shows how the pattern could have used more fabric. I suppose I can wear it with a smaller hoop, or no hoop at all.


I do love wrappers worn open. At first it's kind of hideous and tent-y, but I think it grows on you. It's such a distinctive look.


My favorite part of this project was having fun with the pattern. I chose a special part of the fabric for the piping, and then used the big brown motif for most of the accents, like the hem border and belt. 







I changed the inside of the wrapper from the pattern, which called for a fitted under bodice, which laced up. I couldn't see a good reason to go to the trouble, so I just lined the top half of the wrapper and added a inner belt instead, to hold the back of the wrapper close to the wearer's back. I attached the ends of the belt to the side seams.

The wrapper has massive pockets on both sides. All the better to hold your iPhone with... And snacks.


My finishing touch for the wrapper ensemble is this petticoat/apron piece. I constructed it like an apron instead of a full petticoat. I attached a triangle of embroidered fabric to plain cotton, to save the precious fabric. Someday I would like to actually embroider one. My "someday" sewing list is getting longer and longer!

Saturday, March 1, 2014

New petticoats for HSF #3 and #4.

Happy March everyone! I got delayed on posting challenge #3, so why not post about the projects together?

For challenge three, Pink, I did up an 18th century petticoat of pink check silk. It's not tremendously exciting by itself, but I have future plans for a frilly little caraco to match. I already have fly fringe for it in the works! 



The Challenge: Pink

Fabric: Pink check silk

Pattern: None, just took measurements from a previously made petticoat that fits.

Year: Later 18th century

Notions: Linen tape for waistband.

How historically accurate is it? Appropriate fabric. Appropriate stitches and pattern, to the best of my knowlege.

Hours to complete: I didn't keep track :(

First worn: Not yet

Total cost: The fabric was about $20/yd.

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For the fourth challenge, Under It All, I finished up an early 1900's petticoat that I started last year. It's based on the Truly Victorian Circle Skirt pattern, with an extra flounce at the bottom. The flounce and skirt are stiffened with tucks at the hem, to help hold the fabric away from the feet, and support the over skirt.





The Challenge: Under it All

Fabric: White cotton broadcloth

Pattern: Truly Victorian's Circle Skirt Pattern

Year: 1900, give or take. I planned it for 1900-1905, but I suppose the shape could be used for 1890's, too.

Notions: Ribbon, insertion, cotton tape for waist band.

How historically accurate is it? I would think it's fairly accurate to the era. The ribbon is probably poly, though...

Hours to complete: I am so bad at keeping track of this!

First worn: Not yet

Total cost: I think the fabric was anywhere from $4 - $8 for a yard. Everything else, I had.

Thursday, February 6, 2014

HSF #2: Innovation. The side saddle safety apron.

In beginning to ride side saddle, a whole new world of tack and appointments has been opened to me. Prior to this, not much thought went in to what a lady wore when riding aside, except that it was a skirt.

The ladies riding habit started with a skirt, when ladies would basically wear just clothes to ride, as opposed to a riding "outfit," or habit. I think we can thank those proper and fashionable Victorians for evolving an outfit worn when riding, to a designated riding outfit. 

A lady out riding in her redingote. Fashionable clothing for riding,
but not only worn for riding. Pretty much cut the same as every other dress.

As the century progressed, the riding habit began to look
more and more like what one might think of when "riding habit"
is mentioned.

Sisi of Austria, who was an avid hunter.

Sisi, again. When off the horse, there's a
lot of fabric to keep track of.

In the later part of the century, the shaped riding skirt came into fashion, allowing space for the right knee and a level hem when mounted. No more were skirts billowing around everywhere, hanging at all different lengths, but this meant that on the ground, the skirt hung absurdly long in the front. Here we start to see the skirt being buttoned up to walk.

An 1875 riding habit from the Met.

So, the knee pocket, and way of buttoning the skirt up when walking become the fashion toward the end of the century. The riding skirts begin to lose fabric, as fashions progress, and the more tailored look of the riding habit is seen. A good pattern for this style is Truly Victorian's riding habit skirt pattern, which illustrates the knee pocket nicely.

Two ladies in riding clothes, circa 1880.

Ah, but there was still a problem. A nasty one.

In the event of a fall, a lady could easily get tangled up in the saddle and be dragged and injured, or worse. So, around the turn of the century, the riding safety apron comes about. It is basically an apron that covers your legs when mounted, and wraps around your exposed lower limbs when on the ground. 

The snap fastener also plays into this. Not only is there less fabric to be tangled, but often the aprons were fastened with snaps. In the event of a fall, where the fabric got stuck on the saddle, the skirt would come apart and the rider would be free. And to save her the added embarrassment of walking the field in her drawers, the rider would wear matching breeches under the skirt. And a side note, this is the same reason why western shirts started having those pearl snaps.

Below are a few pictures from Alice M. Hayes' book, The Horsewoman (1903).

The apron, when mounted, looks like a skirt.

From behind, it's just an apron.

And wrapped up, it both covers the legs and
keeps the skirt from dragging.

The riding apron is still worn today, when a lady rides aside. It is both traditional and safe. The style changed a bit over the first part of the century, losing and gaining fabric, and the hem changed with fashion. The "golden age" of hunting side saddle ended with the second World War, and it's style has changed very little since then. 

For HSF: Innovation, I chose to recreate a safety apron. It's all done, save for the buttons, which I haven't decided on yet. Horn or fabric? Hmm… It does close with snaps, so it is basically finished, as all but one button is just cosmetic. I chose navy wool, as navy or black is the appropriate choice for a formal habit. The wool is a medium weight plain weave, which is what I had, so I chose it. Same for the contrasting lining - I had it. Ideally, a habit would be made of a sturdier wool, like whipcord, cavalry twill or melton, which would stand up to the rigors of hunting. As I live in Las Vegas, and I'm not hunting the English countryside (bucket list!!), I'm thinking this is just fine. Maybe I need a Raj era linen habit for summer here… Hmm…

As for the pattern, I browsed many. I even scaled up some 1912 patterns. I had a modern, Suitability apron pattern on hand that I went with. It got a bit of a bad rap with reviews, with users claiming too many darts and too much fabric, but I found it fit me well, with little alterations. I didn't really follow the directions, which is so me, but I don't have any complaints yet, though there were a heck of a lot of darts! Well, and I chose snaps instead of velcro.

The Challenge: Innovation

Fabric: Navy wool lined with checked cotton

Pattern: Suitability's riding apron pattern

Year: Eh, anywhere from 1900 to present. Wide range, I know. The bodice/jacket worn with it would really determine the year.

Notions: Snap fasteners

How historically accurate is it? Oo this question always gets me. I tried to be as true to when these came about, in the early 20th century, as possible. But without a lot of experience wearing these aprons, I went very basic.

Hours to complete: I didn't keep track. Took a few good days, though I did hand sew the whole thing. Not to be snazzy, or anything. Just that I traveled with it and hand sewing is much more portable.

First worn: Not yet. Off to the barn!

Total cost: Less than $5 for the fasteners. Everything else was stash.

And here are some pictures. It is a bizarre arrangement of fabric, until it's on a horse.




From the front, fastened up.

From behind.

And this is why it buttons up...
From the near side, or left side, one would see this.
Like my fake knee chair? It makes more sense like this.

From the offside, you see this.
The flap at the bottom fastens around the right leg,
keeping everything in place. Some aprons replace this
with an elastic loop.

I have accumulated many, many more examples of these aprons, as well as other side saddle bits and habits, over on a Pinterest board. Check it out!

And just for kicks…