A Rose Gold 30's Evening Gown

Over Derby Weekend, we had tickets to one of the black tie galas. I am such a sucker for an opportunity to dress up in black tie!

I've been wanting a satin 1930's evening gown for ages, so I took this opportunity to make one! And the color fit perfectly for the June's Historical Sew Monthly challenge: metallics.

I used Vintage Pattern Lending Library's #T6573. Great dress. Very forgiving size-wise as it's such a loose style. I did have to add about an inch to the hem, and probably could have added a bit more. I am only 5'4", so definitely check the length if you use this pattern! I opted out of adding the fabric flowers at the front, since this wasn't actually a costume event, and wanted to keep everything simple. I really wanted to make an evening jacket for it, but just ran out of time. Next time!

Unfortunately, I didn't get any pictures of the gown until very late in the evening, so it's a bit wrinkly. Not to mention, my hair had kind of had it with the humidity. On the other hand, I was able to get a couple pictures in the lobby with no people around, so there is always a silver lining :)

So, the facts:

The Challenge: June, Metallics

Material: Silk crepe back satin

Pattern: Vintage Pattern Lending Library's #T6573

Year: Late 1930's

Notions: Thread, snaps, hook and eye

How historically accurate is it? I want to say totally, though I haven't yet personally seen a 30's dress with machine rolled hems. Though, I do have some very old rolled hem feet and it suggests it in my 1940's sewing book. Just throwing that out there.

Hours to complete: Maybe a week of sewing, here and there. I let the dress hang a couple days before hemming it.

First worn: Last weekend

Total cost: A few yards of silk crepe back satin

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Construction of the dress went easily for the most part, but it got a little fiddly attaching the top of the train to the waist of the dress. The pattern directions got a little hazy there, and I'm sure I just interpreted them wrong. But because of the nature of the silk, I couldn't play around with it too much, so I picked a method and went with it.

I chose to hem the dress mostly with a narrow hem foot, since it suggested this in my 1940's Ruth Wyeth Spears sewing book. Very easy! I bound the neckline and arm holes with bias binding. I love the top stitching and cut of the bodice. It's kind of sporty.

The inside seams were pinked, since apparently over casting would have been a "waste of time." I love this:

The dress closes with at the side. As suggested in the sewing book, I put a hook and eye at the waist, where there would be the most stress. The rest of the placket is fastened with snaps.

Under the dress, I wore a low backed slip, made from Vintage Pattern Lending Library's 1930 Slip Pattern. I omitted the vertical darts (time constraints) and the side closure. The side closure was unnecessary since the slip had ample room to be put on over the head because of the low back. I also made a matching pair of tap pants from similar colored silk charmeuse. I used Mrs Depew's 1930's Tap Pants Pattern again. I used the fabric satin side in on the pants (which is so nice against the skin!), but satin side out for the slip, so the dress fabric would slide over it better.

I would have loved to wear a girdle with it, which would have really smoothed out the tummy area (I really need to lay off the snacks...), but since it wasn't actually a 1930's event, and I didn't have a lot of time, I said eh. Of course, if it was properly fit, I guess it wouldn't have really shown... Just another thing to add to that endless to-do list!

Good night!

Well, it started as a square...

For April's Historical Sew Monthly's challenge (circles, squares and rectangles), I decided a finishing up a fichu was a good (and easy) idea. And it went toward finishing with one of my current outfits. I like using the challenges as inspiration to get things finished that I have left lying around.

It all started easily enough as a nice square, but because of the body and crispness of the silk gauze,  when it was doubled and put around my neck, it was like huuuuuuuge. Way too much of a good thing. So, I cut it in half, and then kept trying on and trimming until it looked ok. It ended up resembling one of the shaped-neckline kerchiefs, like this one, from the Manchester Art Gallery.

Beach Pyjamas for HSM 3: The Great Outdoors!

For ages I've been in love with beach pyjamas. They have such a great look! I especially love the styles from the 1930's. I've been on a bit of a thirties kick recently...

Well, I took a recent trip to the beach as an excuse to make some. I was only going to make one, but got a little carried away and made two! Yay! One from earlier in the decade and another pyjama outfit from the later 30's. 

Oh, and then I threw in a 1920's negligee (which just looks a heck of a lot like a modern beach coverup) for good measure. It was a very productive couple of weeks! 

Today, I will start with my favorite, the later 30's set.

A 1930's Wool Blanket Coat for HSM 2: Re-make, Re-use, Re-fashion

Oh, I just love this coat! I made it at the beginning of the month and I've already taken it on two trips to quite cold places and have used it again and again at home. 

The coat is made out of a Woolrich blanket and Wearing History's 1930's Ahwahnee Blanket Coat pattern. The blanket was a bit smaller than the blanket size the pattern calls for, so I had to accommodate by not lining the hood. By choice, I went for more of a sweater than a proper coat, with lining and buttons, etc. Very cozy and warm!

HSM #1: 1920's Undies

The Challenge: Firsts and Lasts

Material: Silk crepe de chine, silk satin, silk charmeuse, cotton sateen, elastic and lace.

Pattern: Mrs. Depew #2030 for the Bandeau, Truly Victorian 1913 Corset (heavily modified) for the girdle, and self drafted patterns for the envelope chemise and slip.

Year: 1925-29

Notions: Silk and cotton threads, corset busk, hooks and eyes, buttons

How historically accurate is it? Spot on, to the best of my knowledge.

Hours to complete: A couple weeks.

First worn: Dardanella's Gatsby Ball


Total cost: I'm not sure. Most of the fabric was from my stash. Things I bought specifically for the project were some suspender grips and very small buttons for the envelope chemise's tab.

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I suppose I should start from the inside out.